
Multicam - Version 11.00 - Operating Manual
EVS Broadcast Equipment SA – April 2012
16.2 How to Mark an Offside Line ................................................................................... 166
16.3 How to Edit an Offside Line ..................................................................................... 167
16.4 How to Play the Offside Sequence .......................................................................... 167
16.5 Cue Points Related to Offside Sequence ................................................................ 168
17. SPLIT SCREEN MODE ........................................................................................ 169
17.1.1 Vertical Split ........................................................................................................................169
17.1.2 Horizontal Split....................................................................................................................171
17.1.3 Split MIX .............................................................................................................................172
17.1.4 Auto-tracking mode ............................................................................................................172
18. HYPERMOTION MODE......................................................................................... 173
18.1 Introduction ............................................................................................................. 173
18.1.1 Definition .............................................................................................................................173
18.1.2 Camera Differences ............................................................................................................173
18.1.3 License Code ......................................................................................................................173
18.1.4 Activating the Hypermotion Mode.......................................................................................173
18.2 Menus ..................................................................................................................... 174
18.2.1 Accessing and Leaving the Hypermotion Mode .................................................................174
18.2.2 Hypermotion Main Menu ....................................................................................................174
18.2.3 Hypermotion Secondary Menu ...........................................................................................175
18.3 Controlling the Hypermotion Camera from the Remote ........................................... 176
18.3.1 Introduction .........................................................................................................................176
18.3.2 The Remote Keys ...............................................................................................................176
18.3.3 Creating a Clip from a Hypermotion Camera .....................................................................178
18.3.4 Managing Cue Points .........................................................................................................178
18.4 Managing the Memory Blocks ................................................................................. 178
18.4.1 Defining the Number of Memory Blocks .............................................................................178
18.4.2 Color Code for Memory Block Status .................................................................................179
18.4.3 Working with Single-Block Memory ....................................................................................180
18.4.4 Working with Multiple-Block Memory .................................................................................180
18.5 Specific Camera FEATUREs .................................................................................. 182
18.5.1 ARRI Camera Hi-Motion I ...................................................................................................182
18.5.2 Photron Camera .................................................................................................................183
18.5.3 Vision Research Camera ....................................................................................................184
19. SONY, XTENDD35, ODETICS & VDCP PROTOCOLS ............................................ 185
19.1 Protocol Overview ................................................................................................... 185
GLOSSARY ................................................................................................................ 187
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