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The following table shows the minimum and maximum number of channels that can be
operated in both modes:
6U
LSM Spotbox
Max. # channels 6 6
Min. # REC 1 0
Max. # REC 6 6
Min. # PLAY 1 0
Max. # PLAY 5 6
Note
Based on the above-mentioned limitations, some configurations described in the
following sections are only available in Server or Spotbox mode.
Channel Assignment
The following general principles apply to all configurations, and are valid for all EVS
servers equipped with V3X or COHX boards:
• The record channels (IN connectors) are always assigned from the right to the left.
• The play channels (OUT connectors) are always assigned from the left to the right.
56 3. Multicam Configuration
EVS Broadcast Equipment S.A. Issue 11.02.A July 2013
- Configuration Manual 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 4
- 3. MULTICAM CONFIGURATION 44 5
- GLOSSARY 217 6
- What's New? 7
- 1. Introduction 9
- Simple User Interface 10
- Easy Audio Configuration 10
- Documented User Interfaces 11
- 1.3. Starting the EVS Server 12
- Prerequisite 13
- Procedure 13
- 2. Multicam Setup 14
- 2. Multicam Setup 7 15
- Description of the Areas 16
- General Navigability 17
- In the Web-Based Interface 18
- 2.2. Configuration Lines 19
- Automatic Launch 20
- How to Edit a Configuration 20
- Invalid Configuration 21
- 2. Multicam Setup 15 23
- 2. Multicam Setup 17 25
- 18 2. Multicam Setup 26
- Configuration Lines 28
- 2.3. Server Parameters 30
- Protection 31
- Settings 34
- How to Set the LAN PC 34
- Supported Formats 35
- Default Raid Configuration 37
- Requested Raid Configuration 37
- Current Raid Configuration 38
- 2.4. Licenses and Maintenance 39
- 32 2. Multicam Setup 40
- 2.5. Server Maintenance 44
- 2.5.3. Hardware Check 45
- Disk Errors and Disconnection 46
- Retrieving Logs 47
- Rebuild Process 48
- 2.5.4. Clearing Video Disks 49
- How to Import a Keyword File 50
- How to Export a Keyword File 50
- 2.5.7. Exporting Log Files 51
- 3. Multicam Configuration 52
- 3. Multicam Configuration 45 53
- Server-Based Application 54
- Display Mode 55
- User Interfaces 56
- Configuration Window 57
- Navigation Commands 61
- Editing Commands 61
- 3.2. Supported Configurations 63
- Channel Assignment 64
- 3. Multicam Configuration 57 65
- XT2+ 6U Servers 66
- Example: 4REC + 2PLAY 67
- Configurations 68
- 3.2.4. SLSM Configurations 69
- 66 3. Multicam Configuration 74
- Assignment Principles 76
- 3. Multicam Configuration 73 81
- 3.3. Server Tab 82
- Video and Reference Settings 83
- Resolution 84
- Horizontal Res. (HD) 85
- Recorded Lines (SD) 85
- LTC Timecode 85
- Sync PC Time to TC 85
- Codec Availability 86
- Codec-Related Information 87
- 80 3. Multicam Configuration 88
- (59.94 Hz) 89
- 82 3. Multicam Configuration 90
- SD (Standard Definition) 92
- HD to SD SDI / SD SDI to HD 93
- 3.3.4. Interpolation Settings 94
- 3.3.5. PC LAN Settings 95
- IP Address 96
- Subnet Mask 96
- Default Gateway 96
- 3.4. Channels Tab 97
- 90 3. Multicam Configuration 98
- 3.4.2. Channels 99
- 92 3. Multicam Configuration 100
- Base Config 101
- SLSM Rec 102
- Port Settings 103
- RS422 #1 - #6 104
- Channels and Control Settings 105
- Main ctrl (Main Controller) 106
- Main Rules for XT2+ server 107
- Standalone Protocol 108
- Exclusive mode - REC Channels 111
- Parallel mode - Play Channels 111
- Parallel mode - REC Channels 112
- Recorder Settings 113
- Clip Capacity 114
- Rec Auto Start 114
- Mix on One Channel Feature 115
- Mix on One Channel Settings 116
- 3.4.3. Audio 117
- Audio Connectors 118
- Number of Tracks 119
- Audio Full Scale 119
- Ancillary Mode 119
- Introduction 120
- General Principles 121
- Audio Input Settings 122
- Example 2 123
- Example 3 123
- Example 4 123
- Audio Output Settings 124
- 3. Multicam Configuration 117 125
- Audio (Embedded) Inputs 127
- Audio Embedded Outputs 127
- Audio Digital Outputs 128
- Audio Analog 129
- Collective Editing Actions 130
- Individual Editing Actions 130
- Commands 131
- Dolby Audio Management 132
- Timecode Settings 133
- Timecode Insertion Settings 134
- HD OUT (in HD) 135
- SD OUT (in HD and SD) 136
- SMPTE Package Settings 137
- Decoding 138
- Encoding 138
- Custom 1/2 138
- SD OUT Encoding 139
- 3.5. Network Tab 140
- 3.5.2. SDTI Settings 141
- Net Name 142
- Net Number 142
- 3.5.3. Gigabit Settings 143
- User Interface 144
- IP Address (Port 1/Port 2) 144
- Subnet Mask (Port 1/Port 2) 144
- 3. Multicam Configuration 137 145
- 3.6. Monitoring Tab 146
- 3.6.2. Multiviewer Settings 147
- Available Layouts 148
- Display 1 to 8 149
- Audio Monitoring from video 149
- Aspect ratio - Videos 149
- 3.6.3. OSD Settings 150
- Genlock Error 151
- Disk Error 151
- Network error 151
- Clip name 151
- Char OUT J4 152
- Char OUT J1 153
- OUTBJ3 153
- Aspect ratio 153
- SDEdge Enh 153
- RECHD->SD Low latency 153
- 3.7. Protocol Tab 154
- 3. Multicam Configuration 147 155
- 3.7.3. Clip Identifiers 157
- 3.7.4. Sony BVW Settings 158
- 3.7.5. EditRec 159
- Overview on Edit Rec Settings 160
- Edit Rec 1/2 Setting 160
- Default PL 161
- Audio Settings for Edit Rec 162
- Serial Sony LTC 163
- Serial Sony VITC 163
- User TC of created clips 164
- Channel Settings for Edit Rec 165
- OSD Settings for Edit Rec 166
- 3.7.6. RS422VarID Settings 167
- 160 3. Multicam Configuration 168
- VarID Configuration File 169
- Uniqueness 169
- VDCP Visibility 170
- 3.8. GPI Tab 171
- 3.8.2. GPI Settings 172
- TTL GPIs set as GPIs 173
- GPIs IN - Channel/Device 173
- GPIs IN - Port 173
- GPIs IN - Function 174
- GPIs IN - Delay 174
- GPIs OUT - Function 175
- GPIs OUT - Type 175
- GPIs OUT - Advance 175
- GPIs OUT - Pulse duration 175
- 3.8.3. Tally Settings 176
- Add Clip to PL 177
- Clips guardbands 177
- 3.9. Operation Tab 178
- Clips Settings 179
- Playlist Settings 179
- Miscellaneous Settings 180
- Controller Settings 180
- 3. Multicam Configuration 173 181
- 3.9.2. OSD Settings 182
- Cue number on OSD 183
- OSD on outputs 183
- OSD on inputs 183
- Background 183
- Audio meters 184
- DB Adjust 184
- Thickness 185
- 3.9.4. Clips Settings 186
- Make clip rem. trains 187
- Guardbands 187
- Default clip duration 188
- Autoname clips 188
- Clip post-roll 189
- Mark cue point 189
- Record trains OUTs 190
- Default copy/move 190
- Freeze on cue points 191
- Protocol Receive page 191
- Playlist Receive page 191
- 3.9.5. Playlist Settings 192
- Availability 193
- Video effect duration 193
- Audio locked to video 193
- Audio effect duration 194
- Wipe type 194
- Default playlist speed 194
- Insert in playlist 194
- Confirm Ins/Del clips 195
- Advanced audio editing 195
- Extend split transition 195
- Swap audio tracks 196
- Playlist loop 196
- Playlist auto fill 197
- Fade to/from color 197
- Load Playlist 197
- 3.9.6. Timeline Settings 198
- 3.9.7. Protection Settings 199
- Clip edit by network 200
- 3.9.8. Keywords Settings 201
- Keyword files 202
- Keyword mode 202
- 3.9.9. Push Settings 203
- Push Target 204
- Push Target 1 / 2 204
- Push Mode 205
- Push Receive Page 205
- 3.9.10. Audio Settings 206
- Lipsync value (ms) 207
- Aux track output 207
- Effect duration for take 209
- Fast jog 209
- PGM Speed / var max 209
- Lever engage mode 210
- Second lever range 210
- Recall clip toggle 211
- Record key 211
- Pointing device 211
- VGA & Remote sync 212
- Call channel VGA 212
- PGM/PRV mode 213
- Internal loop mode 213
- Grab image 214
- Browse button 214
- Default XFile 214
- 3.9.12. Cam Mapping Settings 215
- Cam Mapping 216
- Principles 216
- Remote Panel Assignment 217
- Hypermotion 218
- Recorder 219
- Remote mode 219
- Protocol 219
- IPAddress 220
- Dial Speed 220
- Paint/target transition 221
- Set colour for 221
- Custom Y 222
- Custom U 222
- Custom V 222
- Split screen tracking 223
- Paint/target OSD mon 223
- Offside line 223
- External offside 224
- IP address 224
- Default tool 224
- Auto mark 224
- Glossary 225
- 218 Glossary 226
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