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Issue 5.6.A IPDirector V.5.6 – User Manual – Part 7: Editing - IPEdit
EVS Broadcast Equipment - 2009
14
3.2 ASSIGNING PLAYER CHANNELS TO
IPEDIT
3.2.1 PRINCIPLE
The IPEdit module requires two player channels to run. This pair of player
channels is called the Timeline Engine. The Timeline Engine can be PGM1/PGM2
or PGM3/PGM4:
• PGM1 or PGM3 is the Timeline output channel (also called ‘timeline PGM’).
An external video monitor needs to be linked to PGM1 or PGM 3 for the users to
preview the timeline.
• PGM2 or PGM 4 is the Player output channel (also called ‘player PGM’).
The AVH board needs to be associated to PGM2 or PGM 4 for the users to
preview the player on the video display. See also section 3.3.4 ‘How to
As
sociate a Video Display to the Player’, on page 17.
3.2.2 DISPLAY
The player channels assigned to IPEdit are visible in the PGM Assignment
Display field in the lower left corner of the IPEdit main window:
- User’s Manual 1
- COPYRIGHT 2
- DISCLAIMER 2
- IMPROVEMENT REQUESTS 2
- Table of Contents 3
- About this Manual 7
- PART 3: BROWSING 8
- PART 4: INGEST 8
- PART 6: PLAYOUT - PLAYLIST 9
- PART 7: EDITING 9
- 1. Introduction 10
- 1.4 USER INTERFACE 11
- 1.3 LIMITATIONS 11
- RESIZING THE MAIN WINDOW 12
- IPEDIT OUTLINE 13
- ACTIVATING A PANE IN IPEDIT 13
- 1.4.2 PLAYER 14
- 1.4.3 BROWSER 14
- 1.4.4 TIMELINE 14
- 2. Browser 17
- DEFINITION 18
- 2.3.1 GENERAL INFORMATION 19
- LOADABLE MEDIA 20
- LIMITATIONS 20
- 3. Player 22
- 3.2.1 PRINCIPLE 23
- 3.2.2 DISPLAY 23
- UTOMATIC PGM ASSIGNMENT 24
- 3.3 VIDEO DISPLAY 26
- 3.4.1 LOCK ICON 27
- 3.4.2 LOADED MEDIA FIELD 28
- 3.4.3 LSM ID FIELD 28
- 3.4.4 TIME CODE FIELD 28
- 3.4.5 DURATION FIELD 29
- HEN A RECORD TRAIN IS LOADED 30
- 3.4.6 JOG BAR 31
- 3.5.1 PURPOSE 32
- 3.5.2 BUTTON DESCRIPTION 32
- 3.6.1 PURPOSE 36
- 3.6.2 INSERT FUNCTION 36
- 3.6.3 OVERWRITE FUNCTION 37
- 3.7 PLAYER TRACK SELECTION 38
- 3.7.4 EXAMPLE 39
- 3.8 AUDIO MONITORING 40
- HEADPHONES 41
- TEMPLATE 41
- HOW TO LOAD A TEMPLATE 42
- HOW TO DELETE A TEMPLATE 42
- 3.9.1 CLIPS 43
- 3.9.2 TRAINS 44
- 3.9.3 LOG 44
- 4. Timeline 45
- 4.1.2 TIMELINE DISPLAY 46
- TIME CODE BAR 47
- NOWLINE 47
- MARK IN /OUT POINTS 47
- LASSO SELECTION AREA 48
- INSERT/OVERWRITE GLOBAL MODE 51
- SET TIMELINE MARK IN 52
- SET TIMELINE MARK OUT 52
- MARK CURRENT CLIP SELECTION 52
- CLEAR TIMELINE MARKS 53
- ADD EDIT AT THE NOWLINE 53
- MATCH FRAME IN PLAYER 54
- GO TO MARK IN 54
- GO TO MARK OUT 54
- CLEAR MARK IN 54
- FUNCTIONS 55
- START REPLACE 59
- AUDIO MONITORING 59
- GO TO NEXT ELEMENT 59
- GO TO PREVIOUS ELEMENT 59
- NEXT FRAME 59
- PREVIOUS FRAME 60
- NEXT 10 FRAMES 60
- PREVIOUS 10 FRAMES 60
- PLAY FORWARD (MULTISPEED) 60
- FAST REWIND (MULTISPEED) 61
- GO TO END OF TIMELINE 61
- MARK IN TC 62
- MARK OUT TC 62
- NOWLINE TC 62
- TIMELINE DURATION 63
- SCALE BAR 64
- MOVE BAR 64
- VOLUME AUTOMATION MODE 64
- SWAP / MUTE ZOOM MODE 64
- MUTE BUTTON 65
- 4.2 TIMELINE MANAGEMENT 66
- HOW TO CREATE A NEW TIMELINE 67
- Left Pane 69
- 4.2.4 OPENING A TIMELINE 71
- OW TO CLOSE A TIMELINE 73
- OW TO CLEAR A TIMELINE 73
- OW TO DELETE A TIMELINE 73
- 4.2.9 COPYING A TIMELINE 74
- HOW TO COPY A TIMELINE 75
- 4.3 TIMELINE EDITING 77
- BY CLICKING 80
- 4.5.1 GENERAL PRINCIPLES 82
- INSERT 83
- OVERWRITE 84
- MATCH FRAME REPLACE 86
- PROCEDURE IN THE PLAYER 86
- ROCEDURE WITH THE SHUTTLEPRO 88
- Principle 89
- Possible Cases 90
- 3-Point Edit 90
- 4-Point Edit 90
- ACTIONS 91
- GENERAL RULES 93
- Available Material 94
- Procedure 94
- • On the keyboard, press 96
- Second Method 99
- TIMELINE 100
- POSSIBLE MOVE TYPES 101
- Issue 5.6.A 102
- 4.8.1 INTRODUCTION 103
- After an Extend Action 104
- ELEMENT 109
- TIMELINE ELEMENT 110
- • on the selected tracks 111
- 4.9.1 INTRODUCTION 112
- Before the Trim Action 113
- During the Trim Action 113
- After the Trim Action 113
- OW TO ACTIVATE THE TRIM MODE 115
- HOW TO CHANGE THE TRIM MODE 116
- TRANSITION 117
- 4.9.4 POSSIBLE TRIM ACTIONS 118
- Example: Shift to the left 119
- TRIM LEFT IN INSERT MODE 120
- TRIM LEFT IN OVERWRITE MODE 121
- TRIM RIGHT IN INSERT MODE 122
- TRIM RIGHT IN OVERWRITE MODE 123
- OVERVIEW OF THE TRIM METHODS 124
- SHORTCUTS 126
- 4.10.1 OVERVIEW 128
- EXAMPLE 129
- During the Slipping Action 130
- Final Situation 130
- OW TO ACTIVATE THE SLIP MODE 131
- HOW TO LEAVE THE SLIP MODE 132
- 4.11.1 OVERVIEW 135
- During the Slide Action 136
- HOW TO LEAVE THE SLIDE MODE 138
- 4.12 TRANSITION EFFECTS 142
- APPLY THE EFFECTS 143
- 4.12.3 EFFECT TYPES 144
- 4.12.4 EFFECT DURATION 145
- 4.12.5 EFFECT POSITIONS 146
- OVERVIEW 147
- TRACKS GROUP BOX 148
- TRANSITION EFFECT GROUP BOX 148
- VIDEO TRANSITION GPI 150
- RANSITION EFFECT SETTINGS 151
- TRANSITION EFFECTS 152
- ODIFYING TRANSITION EFFECTS 157
- ELETING TRANSITION EFFECTS 158
- 4.13 AUDIO SWAPS AND MUTES 159
- SWAP/MUTE FUNCTION 160
- AUTOMATIC SWAP DEFINITION 160
- AUTOMATIC MUTE DEFINITION 160
- DISPLAY 161
- DESCRIPTION 162
- WINDOW VARIATIONS 167
- SWAP SOURCES / OUTPUTS 168
- ADDITIONAL OPTIONS 169
- 4.13.8 ADDING AUDIO SWAPS 170
- ELEMENTS OF AN AUDIO TRACK 173
- GIVEN POINTS OF A TRACK 173
- 4.13.10 DELETING AUDIO SWAPS 174
- AUDIO TRACK NAME 177
- O DB LINE 177
- 4.14.10 RESETTING THE VOLUME 184
- ADD EXTERNAL EFFECTS 185
- PRINCIPLE 186
- INTO THE TIMELINE 186
- 4.15.3 REPLACE SETTINGS 187
- PRE-ROLL AND POST-ROLL 188
- Introduction 189
- BOUNDARY MARK GPIS 190
- spin box 191
- AUDIO CHANNEL INPUT MATRIX 192
- Example 193
- OW TO CANCEL A REPLACE 196
- 4.16 USING GPIS IN IPEDIT 197
- 4.16.2 REPLACE GPIS 198
- 4.16.4 CLIP GPIS 199
- HOW TO MODIFY A CLIP GPI 201
- HOW TO DELETE A CLIP GPI 201
- ShuttlePRO 202
- Glossary 204
- +852 2914 2501 206
- +32 4 361 7000 206
- +1 973 575 7811 206
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